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AWARDS, FELLOWSHIPS and GRANTS
APAP Leadership Fellow, Washington DC. June 2018-Jan. 2020
Foundation for Contemporary Arts Emergency Grant, New York City. Dec. 2017
Creative Mellon Fellowship, University of Washington, Seattle. Jan. 2017
Field Leadership Fund Fellowship, New York City Jan. 2016-Apr. 2017
TCG Global Connections Grant, New York City. May 2015
Foundation for Contemporary Arts Emergency Grant, New York City. Dec. 2014
Target Margin Theater’s Inst. for Collaborative Theater-Making, Fellow, New York City. Jan. 2014-Jan. 2015
UNESCO-Aschberg Laureate, Paris. Feb. 2010
Center of Theatre of the Oppressed, Int’l Exchange Fellow, Rio de Janeiro. Apr. 2009-Jul. 2009
Arvon Foundation, Writer’s Grant, London. Nov. 2007
Edward F. Albee Foundation, Playwriting Fellow, New York City. Jul. 2004

PROFESSIONAL AFFILIATIONS and RESIDENCIES
Kyoung’s Pacific Beat, Artistic Director, New York City. Feb. 2011-Present
The Dramatist Guild, Devised Theater Committee Member. Apr. 2016 – Present
LaGuardia Performing Arts Center, Artist Residency, New York City. Apr. 2017
Baryshnikov Arts Center, Artist-in-Residence, New York City. Mar. 2017
Indie Theater Fund, Cultural Ambassador, New York City. May 2016-Jun. 2017
Performance Project @ University Settlement, Artistic Advisory Board, New York City.. May 2016-Jun. 2017.
New York Theatre Workshop, Usual Suspect, New York City. Apr. 2016-Present
Centro Cultural Gabriela Mistral, Artist-in-Residence, Santiago , Chile. Dec. 2015-Jan. 2016
Mixed Blood, Commissioned Playwright, Minneapolis. Oct. 2014
The Sol Project, Co-Founding Member, New York City. Aug. 2014-Present
University Settlement, Artist-in-Residence, New York City. July 2014-Jan. 2015
Vermont Studio Center, Writer-in-Residence, Johnson, VT. Aug. 2011
Sanskriti Pratishthan, Writer-in-Residence, New Delhi Nov. 2010-Jan.2011
Soho Theatre, Writer’s Hub, London. May 2009-Jun. 2012
Global Arts Village, Artist-in-Residence, New Delhi Jul.2008-Aug.2008
Royal Court Theater, Young Writer’s Programme, London Oct. 2007-Dec. 2007
Ma-Yi Theatre, Writer’s Lab, New York City Aug. 2004-Present
Ensemble Studio Theater, Youngblood, New York City Nov 2004-Jun. 2012

TEACHING EXPERIENCE
Visiting Artist, “Literature and Social Practice,” Ehwha Women’s University, School of English Language and Literature, Seoul, South Korea. July 2017.
Visiting Artist, “Colaboration Experimental,” DUOC, School of Communications, Acting Program, Santiago, Chile. June 2017.
Visiting Artist, “Dramaturgia Experimental,” INTERDRAM, Matucana 100. Santiago, Chile. Dec. 2015.
Resident Artist, “Immigrant Poets of New York,” University Settlement, Adult Literacy Program, New York. Oct. 2014.
Visiting Professor, Kyung Hee University, School of English Language and Culture, Dept. of Foreign Languages and Literature, Suwon, South Korea. Mar. 2008-Feb. 2009. Courses taught: “Contemporary American/British Drama: Post-9/11 Theater,” “American/British Musicals and Culture,” “Performing Arts and Culture.” Director of KHU School of English production of Big Love by Charles Mee.

ADJUDICATION PANELS
“Target Margin Theater Institute for Theater-Making,” Target Margin. Dec. 2018.
“NEA Art Works,” National Endowment for the Arts. Oct 2016.
“TCG Global Connections Grant,” Theater Communications Group. May 2016.
“ART/NY Creative Space Grant,” Alliance of Resident Theaters/New York. Dec. 10-11, 2015.

PUBLIC PANELS
“Opening Night: Arts Showcase”, KQTcon- A National Conference for Queer and Trans Korean Americans, New York, NY. Apr. 6, 2018
“Activate Equity”, The Field, New York, NY. Mar. 17, 2018
“Marriage Equality Across the Generations”, Kyoung’s Pacific Beat, New York, NY. Jan. 13, 2018
“The Creative Process: Artist-Driven Transformational Research”, APAP/NYC 2018, New York, NY. Jan. 13, 2018
“Meeting a Distant Star”, Abrons Arts Center, New York, NY. Sept. 28th, 2017
“Art for Change: A Panel Discussion,” Asian-American Arts Alliance, New York, NY. Dec. 8, 2016
“Politics, Revolution, and Art: A Theatrical Symposium,” Woolly Mammoth Theater Company, The Laboratory for Global Performance and Politics, Global Theater Initiative in association with the Middle East Institute’s Arts and Cultural Program, Washington DC. Nov. 5, 2016
“Creating Peace Through Art,” Korea Arts Council – Artist House, Seoul, South Korea. Oct. 21, 2016
“Devising Outside the Box,” Seismic Shifts: 5th National Asian American Theater Conference & Festival at Oregon Shakespeare Festival, Ashland. Oct. 3, 2016
“Creating Peace Through Art,” Hot Asian Everything: A Seismic Exhibition, Multnomah County Library, Portland. Oct. 2, 2016
“Finding Home: Migration, Exile and Belonging,” TCG Global Pre-Conference. Georgetown University. Jun. 22, 2016
“Morley: Circle Round Dignity, Courage & Survival,” David Rubenstein Atrium at Lincoln Center. Apr. 23, 2016
“Checkpoints: Communication Consciousness.” NYC Asian-American Student Conference, NYU. Apr. 23, 2016
“Dreaming the Americas—Cultural Appropriation- Who’s Telling Whose Story” NoPassport Conference. New York University. Mar. 14, 2016
“Dramaturgia Experimental”, Interdram at Matucana 100, Santiago, Chile. Dec. 21-29, 2015
“LabEscenico,” Festival Santiago a Mil / Theater Communications Group (TCG). Santiago, Chile. Jan. 22, 2016
“Open Spectrum Critical Community Dialogues: Navigating Privilege,” Culturebot / MAPP International Productions. Dec. 7, 2015. New York Live Arts.
“The Conscious Language IN PRACTICE,” Poetic Theater Productions. Aug. 29, 2015. Wild Project Theater, NYC.
“The Uncomfortable Conversation,” Brooklyn Commune Global Congress. Nov. 22, 2013. Invisible Dog Center, NYC.

SELECTED PRESS
Laura Collins-Hughes, “Exponential Festival: Unexpected Theater in Unfamiliar Real Estate”, The New York Times. Jan. 24, 2018.
Kyoung Park, “Queering Marriage”, Culturebot. Feb. 6, 2018.
Nicole Serratore, “Beyond Whiteness: A January Festival Wrap Up”, American Theatre Magazine. Feb. 2, 2018.
Elizabeth Howard, “Theatrical Interventions: Kyoung H. Park”, WOVEN. Jan. 30, 2018.
Don Tagala, “‘Pillowtalk’ Theatrical Play Explores LGBT, Interracial Relationships”, Balitang TV. Jan. 26, 2018.
Helen Shaw, “January Theater Festival Reviews 2018, Part III”, Time Out. Jan. 25, 2018.
Mieke D, “Mieke D Responds to PILLOWTALK’s 2nd Long Table on Queer and TransMagic in the Werkplace”, Culturebot. Jan. 25, 2018.
Joel Benjamin, “PILLOWTALK: Review”, Theater Scene. Jan. 21, 2018.
Eva Yaa Asantewaa, “Kyoung’s Pacific Beat presents PILLOWTALK”, InfiniteBody. Jan. 19, 2018.
Jason Tseng, “Jason Tseng in Reponse to PILLOWTALK’s First Long Table”, Culturebot. Jan. 17, 2018.
Ran Xia, “Pillowtalk: Review”, Theater is Easy. Jan. 17, 2018.
Leah Richards, “Coital Exchanges”, Culture Catch. Jan. 16, 2018.
Jose Solis, “Playwright Kyoung H. Park on the Themes in PILLOWTALK and the Importance of Intersectionality”, StageBuddy. Jan. 15, 2018.
Jess Applebaum, “Bedroom Conversation-An Intimate Moment with the Collaborators of PILLOWTALK”, Culturebot. Jan. 2018.
The Dyonisian, “Kyoung H. Park on PILLOWTALK”, Dyonisian Magazine. Jan. 2018.
Theater Desk, “The Exponential Festival 2018”, Time Out NY. Jan. 2018.
Editor’s Desk, “Community Partnerships & Long Table Events Announced for PILLOWTALK by Kyoung’s Pacific Beat @ The Tank”, TalkinBroadway.com. Dec. 2017.
Broadwayworld News Desk, “Kyoung’s Pacific Beat to Bring PILLOWTALK to The Tank this Winter”, Broadwayworld.com. Aug. 2017.
Fujishima, Kenji, “The Tank Announces New Season, New Home”, Theatermania.com. Aug. 2017.
Tran, Diep, “Kyoung Park–BAC Story by Diep Tran”, Baryshnikov Arts Center, BAC Story. Jun. 2017.
Jin Hyae Kim, “Facing Discrimination Against Gay Marriage”, New York Korea Times. Mar. 2017.
BroadwayWorld News Desk, “LaGuardia Performing Arts Center Presents Rough Draft Festival: A Window into New York”, Broadwayworld.com. Mar. 2017.
BroadwayWorld News Desk, “Baryshnikov Arts Center Announces Spring 2017 Season”, Broadwayworld.com. Dec. 2016.
Columbia University, “Kyoung Park Presents PILLOWTALK at BRIC”, Columbia University, School of the Arts. Sept. 2015.
David Cote, “Off-Off List,” Time Out NY. Jan. 2015
Emily Gawlak, “Review: TALA,” Stage Buddy. Jan. 2015.
Teddy Nicholas, “TALA,” Theater is Easy. Jan. 2015.
Teddy Nicholas, “Identity, Interrupted: Teddy Nicholas talks with Director Kyoung H. Park about TALA,” New York Theater Review. Jan. 2015.
Jiehae Park, “Working Confusion—A Personal Reflection on TALA by Kyoung Park,” Culturebot. Jan. 2015.
Jon Sobel, “Theater Review (NYC): Tala by Kyoung H. Park,” Blogcritics. Jan. 2015.
Aurin Squire, “Aurin Squire on TALA at University Settlement Projecti,” New York Theater Review. Jan. 2015.
Scott Stiffler, Inward Islands,” Chelsea Now. Jan. 2015
Zach Williams, “Adult Students at University Settlement Master English Through Spoken Word Poetry,” The Lo-Down. Nov. 2014.
Randy Gener, “Korean Immigrants with Dancing Spirits,” American Theatre Magainze. Feb. 2011
Aurin Squire, “Frequent Flier Kyoung Park Gets disOriented,” Brooklyn Rail. Feb. 2011
Sukie Pak, “Korean-American Theater Needs Support,” Korea Daily. Feb. 2011
Sukie Pak, “disOriented—Korean-American Family Drama,” Korea Daily. Feb. 2011
Jin Hyae Kim, “Plight of Korean-American Immigrants on Stage,” New York Korea Times. Feb. 2011
Doug Strassler, “Culture Clash: disOriented Uses Dance to Examine One’s Roots,” offoffonline.com. Feb. 2011
Patricia Contino, “Theatre C presents disOriented,” flavorpill.com. Feb. 2011

PUBLICATIONS
“Wrestling with Alligators: Hilary Bettis with Kyoung H. Park,” The Brooklyn Rail. Nov. 2016
“Experiments, Jokes, and Choices: Elevator Repair Service’s The Select,” Culturebot. Jan. 9, 2016.
“An Aesthetic Meditation,” Culturebot. Dec. 2015.
“Katy Pyle, Ballez, and the Virtuosity of the Queer Body,” Culturebot. Sept. 2015.
“Young Jean Lee’s Subversions of Form,” Culturebot. Nov. 2014.
“Creating Outside the Box,” The Brooklyn Commune/Culturebot. Jan. 2014.
“Madness and Martyrdom in La Divina Caricatura: Lee Breuer with Kyoung H. Park,” The Brooklyn Rail. Dec.2012-Jan. 2013.
MINA, Seven Contemporary Plays from the Korean Diaspora in the Americas, edited by Esther Kim Lee, Duke University Press. 2012.
“Rapproachment of Cultures,” Korea Times. Jun. 20, 2010.
“Remembering Augusto Boal,” Korea Times. Jul. 8, 2009.
“Massacre in Korea and disOriented,” Korea Times. Feb. 18, 2009
“Arts Education a Must for Creative Talents,” Korea Times. Jul. 9, 2008
“Cultural Contradictions in North Korea,” Korea Times. Mar. 3, 2008
“Writing at the Royal Court Theatre,” Korea Times. Dec. 12, 2007
“Learning Peace in Korea,” Korea Times. Aug. 1, 2007

RELATED EXPERIENCE and TRAINING
– THE BROOKLYN COMMUNE, Cultural Democracy and Representation Research Team. New York City, Jun. 2013-Nov. 2014.
– SECOND GENERATIONS (2G), Director of Strategic Planning. New York City, Jul. 2012-Jun. 2013.
– BROOKLYN ACADEMY OF MUSIC, BAM Backstage Seminar. New York City, Feb. 2012.
–  YOUNG JEAN LEE’S THEATER COMPANY, Artistic Intern. New York City, Dec. 2009-Jun. 1, 2011.
–  13P, Marketing Intern. New York City, Jan. 2011-Jun. 1, 2011
–  CENTER OF THEATRE OF THE OPPRESSED, “Theater Forum” and “Aesthetics of the Oppressed.” Rio de Janeiro. Apr. 2009-July 2009
–  ARVON FOUNDATION, Jon Osborne Arvon Centre. “Writing to Perform” with Tim Crouch and a.a. Smith. Shrospshire, UK, Nov. 2007
–  ROYAL COURT THEATRE, Young Writer’s Programme. “Introduction to Playwriting” with Leo Butler. London, Oct. 2007-Dec. 2007
–  KOREA ARTS AND CULTURE EDUCATION SERVICE, Planning and Public Relations Team. Seoul, Jan. 2006-Jul. 2007
–  PRINCE WILLIAM SOUND COMMUNITY COLLEGE, Last Frontier Theatre Conference. “Playwriting” with Romulus Linney and Constance Congdon. Valdez, Alaska. Jun. 2004
–  PATAPHYSICS WORKSHOP, Flea Theatre. Playwright’s Workshop with Eduardo Machado. New York City, Jan. 2003-Jul.2003
–  LABYRINTH THEATRE, “Masterclass.” New York City, Jan. 2003-Aug. 2003
–  LARK PLAY DEVELOPMENT CENTER, Development Associate. New York City, Jan. 2003-Feb. 2005